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O OVO E A FIGURA

 

 

 

Barnabuccio: Freedom now rules beauty. Nature provided beauty of form, the soul provides the beauty of play. Now we also know what grace is. Grace is beauty of form under freedom’s influence, the beauty of those appearances that the person determines.

from „L‘uovo e la figura“

 

Within the exhibition, the artist presents sculptures he created. Each sculpture illustrates a scene within an unknown and unpublished 18th century Italian theatre play called „L‘uovo e la figura“.

 

 

INDEX

 

Scene 1 in which after a quarrel, Giovan de Chiozza wants to push Domizio de Chiozza‘

s right eyeball so deeply into his head so that it may burst. The servant brooms the

floor. He addresses the audience directly by giving the following remarks: A life in the

blink of an eye. A performance without a rehearsal. A body available. I don‘t know the

role that I play. I will only guess what the piece is about. Poorly equipped for life, for

glory. I bear the pace of actions with difficulty. I improvise even though the improvisation disgusts me. I stumble upon my ignorance at every step. My instincts are mostly wrong. The stage fright that at least speaks for me is all the more humiliating. The extenuating circumstances seem cruel to me. The words and gestures cannot be withdrawn, thestars cannot be counted. No. I stand in the set and see how solid it is. The precisionof various props is striking. The rotating mechanism has been working for a long time.Even the most distant mists are lit. No doubt it‘s the opening night. And whatever I dobecomes what I did. Once and for all. In this life. I am what I am. An actor in this play. The narrator of this world. Mundus est fabula.

 

Scene 2 in which Belfantino sits in the smoking room of the Contessa de Chiozza and

tries to comprehend the extent of his misconduct. If you cannot reconcile yourself to the law, remain in the cradle.

 

Scene 3 in which Barnabucchio the great actor stands on the side stage. He has to give

his famous monologue but doesn‘t dare because he suffers from terrible stage fright.

He is haunted by hallucinations of an outlawed and feeble-minded little man that brags

about wanting to cut off his penis and his balls. The little man yells: „Did the wise man

not say: Seek the soul’s beauty! Before you seek the body’s? Body and soul are simply

words of changing reality. The state became idle, its citizens flat and brazen. I shall cut

off my penis and my balls as I seek peace and redemption for my tormented body. Not

my soul! As I order the people to unite and fight the oppressors!“ Ultimately Barnabuccio

holds the hand of the stage technician Quinto seeking for consolation.

 

Scene 4 in which Severino went to the old rock gate to collect strawberries for his

master. Instead he discovers a disturbing crime scene and finds a mysterious book.

 

Scene 5 in which Calimero and Eufrasio try to resolve a difficult intellectual disagreement through a fight. Calimero eventually wins the argument.

 

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